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Movies with just one actor on screen are rare and far between, and it’s easy to see why. It is difficult for one individual to carry a whole film by themselves. The performers must provide such a great performance that they must be able to amuse, captivate, and keep the audience glued to their seats on their own. It is difficult to accomplish anything of this scale without assistance. As a result, some of the greatest films in this genre include a cooperation of incredible talents. Faye is one of these films, but does it succeed in doing the impossible, or does it fall short like so many others?
Faye is directed by Kd Amond and co-written by her and Sarah Zanotti, the film’s heroine. Faye, a personal development writer who is suffering from acute writer’s block, is the protagonist of the film. With a deadline approaching, she chooses to go to a more quiet location to write, but she soon finds herself being pursued by a ghost from her past.
For certain members of the audience, Faye could be classified as a “horror” film. However, it is obviously a character study dealing with sorrow and attempting to depict on film the difficulties that come with trying to overcome a tremendous catastrophe. It’s a picture with ambition, which is commendable, but the flaws in the film pull it down to the point that it’s nearly unwatchable.
The majority of the problems that Faye has to deal with as a film stem from the fact that it is a low-budget production with just five individuals on the crew. There are a lot of moving pieces that a picture needs to feel complete, and enthusiastic filmmakers aren’t going to cut it this time.
Does the film seem to be low-budget? It certainly does. Certainly. However, certain aspects are inconsistent and are not associated with a low budget. Generally, the camera technique is poor, it seems splashy, and the most of the images are uncomposed. In a tight setting, it’s difficult to create intriguing images, but many previous low-budget films have shown that excellent composition comes from a keen eye behind the camera. It would have been fantastic if the graphics had been more dynamic. The shaky cam used throughout the film is also strange. There’s a tilt that happens now and again, and it doesn’t seem to be the result of a creative choice.
The narrative side of things, or, to be more specific, the way the tale is presented, is where the second set of issues arise. The narrative begins with Faye delivering a monologue to an invisible audience, after which she wanders off on tangents describing various events in her life. The tale of her traveling to a secluded lodge to write is included inside this frame. This frame mechanism seems more like fluff than substance, and it doesn’t actually contribute much to the material.
Zanotti is a capable performer, even though her line delivery is inconsistent at times. For the kind of picture the producers are attempting to create, putting all of the weight of the onscreen production on her shoulders is completely superfluous. It’s obvious from the start of the movie that they’ll be able to locate voices for Faye to communicate with. It’s perplexing that these additional voices aren’t heard again in the remainder of the movie. Acting is about responding, and when Zanotti doesn’t have anything to react to, it’s more difficult for her. Unnecessarily difficult. Even though they didn’t appear on screen, Tom Hardy in Locke and Sam Rockwell in Moon had other actors to connect with and respond to.
The issue is that the film’s direction seems limited for strange reasons, and it might have been so much more fascinating in the end, particularly given the sympathetic concept.
So here’s a word of caution. If you’re searching for a decent horror movie, skip Faye. The horror aspects are minimal, and the scenes that are meant to be frightening have little effect. Also, don’t expect to discover a great drama in Faye, since it isn’t.
FAYE Trailer is a video by AZif.
The best way to enjoy this film is to appreciate it for what it is. A film acts as an educational experiment for its filmmakers as they strive to improve their skills to the point where they can produce a decent quality film. Faye will appeal to individuals who like these kind of formative films, but it will be tough to attract mainstream viewers who believe it is worth their time and money.
Halloween is almost approaching, and there will be a plethora of high-quality films, TV programs, and series to enjoy. Faye doesn’t make the cut, but she doesn’t have to be seen as a blemish on those involved’s filmography. All of the raw talent, aspirations, and good intentions are there, and they are all genuine. They simply need a little more polish and funding to turn their ideas into something worth your attention.
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